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![]() Essays on Chinese Calligraphy Ode to Meaningful Brushwork By Wang Sengqian While spiritual expression is valued higher than structural form, in finest works of our forefathers a combination is found. How can we come up with such a standard? By dismissing hows and whys, mind can be free, and with harmony between mind and hand, the profundity of calligraphy can be reached. Choose paper of Shaoxing, ink of Yishui and a brush of a cone-shaped tip and a straight handle - the necessities of virtuous practice. Start with Oath, then move on to Scripture of Huangting* - the specimens of extraordinary skill and romantic charm. Write vertical strokes in the shape of long lance, and write horizontal strokes in the shape of cross nail. In the meantime give them the spirit of graceful iris and hovering bird. Write thick strokes without undue stress, and write thin strokes without undue lightness. The slightest curvature of a stroke indicates its inclination, and a hair-breadth deviation leads to faulty expression.* Oath and Scripture of Huangting are two calligraphy by Wang Xizhi. About the author ![]() Wang Sengqian (426 - 485) Memorial Relief print on rice paper Wang Sengqian was the fourth generation in Wang Xizhi's family, and the most achieved calligrapher of his time. This article is the first example of analyzing Chinese calligraphy into spiritual expression and structural form, and have had a profound and lasting influence on the art since. Back to essays on Chinese calligraphyChinese Calligraphy Home | Contact | Rice Paper |